Gaël Badaud Movies

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

An approach to Gaël Badaud and his activity as a painter: the birth of his paintings and the tight bonds between his work and his personal...

Liberté provisoire takes from everyday life, transforming the ordinary into a sensory delight. Walks in the Belleville district,...

Outtakes from Maya

Reel 2 of Gérard Courant's on-going Cinematon series.

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy...

The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body....

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...