Movies

In the late 1960s, Vito Acconci abandoned poetry in order to work with the body and its relationship with space, although he did retain a commitment...

"In another exploration of nonverbal communication, the camera moves back and forth, each time catching one of Acconci's hands in an expressive...

"In this exercise in nonverbal communication, Acconci explores facial expressions, and their psychological resonance, as a mode of performance...

In Face of the Earth, Acconci's face becomes a metaphorical theater for a narrative drama of the mythic American landscape. Eyes closed, his face...

"Recording Studio From Air Time is a personal confessional in which video is both a mirror and a mediating device. Alone in an "isolation chamber" in...

"Visions of a Disappearance is a newly restored performance tape that was recorded in Naples, Italy, in 1973. Crouched in a corner, hemmed in by the...

A three and a half minute Super-8mm piece on concentration/contemplation by Vito Acconci.

"In Scene Steal, Acconci, fully clothed, tries to shield a nude woman from the camera. In Container, he wraps his nude body around a cat as if to...

"In one of his earliest films, Acconci performs a series of actions — running in a circle, jumping, pushing another man — in which the...

This early document is a videotaped interview ("videoview") of Vito Acconci by Willoughby Sharp during which they discuss Acconci's development as an...

Three-part short film. In 'Blindfold Catching', a blindfolded Acconci reacts, flinching and lunging, as rubber balls are repeatedly thrown at him...